Tuesday 16 November 2010

Shotlist

Shot number
How long is the shot going to last?
Action- what is happening?
Camera shots and angles
1
10 seconds
-Introduction of the song “The voice within”- Christina Aguilera.
- Girl turning the t.v. on and sees model and ‘slumps’ down on her bed.
Long shot to show the actions of the actor.
2
5 seconds
Short video of model walking down a catwalk.
Shot of the television that girl is watching.
3
3 seconds
Girl watching model sat on her bed.
Over the shoulder shot.
4
2 seconds
Watching the girl sat on her bed looking sad.
Close up of her face to see emotions.
5
5 seconds
Girl looking in the mirror covering her body.
Camera moving from face to feet.
6
2 seconds
Girl crying in the mirror.
Close up to show emotion.
7
2 seconds
Girl hitting the mirror in anger.
Mid shot to see action.
8
3 seconds
Girl sat at dinner table.
Mid shot so can see action and emotion.
9
2 seconds
Facial expression to food in front of her.
Close up to se emotion.
10
2 seconds
Girl pushes her food away and runs off.
Long shot from left angle.
11
3 seconds
Girl sat with her head over the toilet.
Mid shot to see action.
12
3 seconds
Girl sat beside the toilet holding her head.
Mid shot to see action and facial expression.
13
3 seconds
Girl sat in an empty room with little light in a crouched position hiding her head.
Long shot from right angle.
14
2 seconds
Girl crying in crouched position.
Close up to see action.
15
2 seconds
Girl stands up to look at herself in the mirror and puts her hand on the mirror where her face is to cover it.
Mid shot.

Although i created this shotlist right at the beginning of my project i didnt really know if i was going to use these shots, i decided to use some of them instead of all of them.

I am glad i made this shotlist because it helped me to realise in how much depth i needed to plan my work, i also found it useful because of the timing and although i didnt use all of these shots i kept to most of the time slots to ensure that it would all fit in with the duration of my song.

No comments:

Post a Comment